| Noun Phrases |
| MetaX | Manual |
| {Chinese influence} | {Chinese influence} |
| {Corner brackets} | { } |
| {German-born art-glass craftsman} | {German-born art-glass craftsman} |
| {Greenes designs} | { } |
| {Hall brothers} | { } |
| {Iowa business} | { } |
| {Japanese construction} | {Japanese construction} |
| {Japanese influence} | { } |
| {Japanese tsuba} | {Japanese tsuba} |
| { } | {Ming Dynasty furniture} |
| {Other pieces} | { } |
| {Robinson den} | { } |
| {Robinson designs} | { } |
| {Robinson dining chair design} | { } |
| {Robinson furniture} | { } |
| {Robinson house} | { } |
| {These pieces} | { } |
| {abstraction} | { } |
| {adjustable-height dining-room chandelier} | {adjustable-height dining-room chandelier} |
| {art glass} | {art glass} |
| {bands} | { } |
| {book} | { } |
| {bottom stretchers} | { } |
| {brackets} | { } |
| {branches} | { } |
| { } | {broadly scenic highly focused details} |
| {broadly scenic or details} | { } |
| {business} | { } |
| {cabinet doors} | {cabinet doors} |
| {chairs} | { } |
| {chandelier} | { } |
| {cherry tree} | { } |
| {close} | { } |
| {construction} | { } |
| {contrast} | { } |
| { } | {corner brackets} |
| {craft expertise} | {craft expertise} |
| {crest rail} | {crest rail} |
| {decorative glass} | {decorative glass} |
| { } | {den and upper-level hall} |
| {design} | { } |
| { } | {design and construction} |
| { } | {design and manufacturing} |
| {design phase} | {design phase} |
| {designs} | { } |
| {detail} | { } |
| { } | {detail of a cherry tree} |
| { } | {dining chair design} |
| {dining table} | {dining table} |
| { } | {dining-room [furniture} |
| {dining-room and living-room furniture} | { } |
| {direct expression} | { } |
| {dramatic evolution} | {dramatic evolution} |
| {earlier designs} | { } |
| {early Ming Dynasty furniture} | { } |
| {ecclesiastical windows} | {ecclesiastical windows} |
| {edge} | { } |
| {entry doors} | {entry doors} |
| {expertise} | { } |
| {feather design} | { } |
| {fine craft} | {fine craft} |
| {firm} | { } |
| { } | {flowing line} |
| { } | {from spreading branches} |
| {fruit} | { } |
| {further evidence} | { } |
| {gentle bow} | {gentle bow} |
| {glass compositions} | { } |
| {he} | { } |
| {higher level} | { } |
| {his} | { } |
| {identifiable natural elements} | {identifiable natural elements} |
| {important choice} | { } |
| {its} | { } |
| { } | {leaded art glass} |
| {leaded art-glass designs} | {leaded art-glass designs} |
| {leaded glass} | {leaded glass} |
| {leaf} | { } |
| {length} | { } |
| { } | {length of vine} |
| {lift} | { } |
| { } | {lift motif} |
| {line} | { } |
| { } | {living-room furniture} |
| {mahogany slabs} | {mahogany slabs} |
| {manufacturing} | { } |
| {mass} | { } |
| {middle-field snapshots} | {middle-field snapshots} |
| {motif} | { } |
| {nature} | { } |
| { } | {neoclassical in mass} |
| {new availability} | { } |
| {one} | { } |
| {only hints} | { } |
| {pairs} | { } |
| {pedestal structure} | {pedestal structure} |
| {pieces} | { } |
| {place} | { } |
| { } | {protruding tenons} |
| {radical transformation} | {radical transformation} |
| {relationship} | { } |
| {relatively foursquare Tichenor furniture} | { } |
| {relief} | { } |
| {rivet-like} | { } |
| { } | {rivet-like pets} |
| {screws} | { } |
| {shape} | { } |
| {significantly more refined work} | { } |
| {single flower} | { } |
| { } | {single flower or leaf chandelier} |
| {sleek simplicity} | {sleek simplicity} |
| {stormy separation} | { } |
| { } | {stylized feather design} |
| {superior work} | { } |
| {sword-guard shapes} | {sword-guard shapes} |
| {tabletop} | {tabletop} |
| {temple construction} | {temple construction} |
| {tenons} | { } |
| {their} | { } |
| {they} | { } |
| {those by other architects} | { } |
| { } | {tightly focused glass compositions} |
| {time} | { } |
| {top} | { } |
| {traditional mortise-and-tenon joinery} | {traditional mortise-and-tenon joinery} |
| {tree} | { } |
| {two sideboards} | { } |
| {upper-level hall} | { } |
| {upright members} | {upright members} |
| {vine} | { } |
| {visible butterfly joints} | {visible butterfly joints} |
| {way} | { } |
| {wife} | { } |
| {windows} | { } |
| {wood} | { } |
| {work} | { } |
| {} | {} |
| Count |
| 115 | 52 |
| Number of Exact Matches |
| 31 |
| Recall |
| 59.62 percent (two significant figures) |